The Evans Girls are Ready for Their Closeup, Mr. DeMille

Paramount Theatre

“The old Paramount Theatre on Washington Street, which burned a few years ago, was one of the favorite spots in town during all of our growing up years and even after we were grown. It had opened around 1910 [ed.note: actually 1913], and Mama told us that she went there on dates. During the 1920s and ’30s movies were really in their heyday. We didn’t call them movies but picture shows, and we did not say we were going to the theatre but to the picture show.

“The Paramount had a stage and at one time had box seats like in big theaters on both sides of the stage. I don’t ever remember anyone sitting in them, but I’m sure on occasions they did. There were stairs at one side of the front of the building leading to a section of the balcony where the Negroes sat. They even had a different ticket seller than the whites, and the balcony was divided by a wall which separated whites and blacks. Before the movie started they would have someone down in front playing organ music.

“Mama took us to a few shows when we were little, but until 1927 they were silent with the words of the actors and actresses running across the bottom of the screen. It was hard for the adults to read the words out loud to the little ones who could not read without disturbing everyone around them, so I spent most of the time walking up and down the aisles. Tiny says she remembers putting on Mama’s fur piece and walking down the aisle pretending she was a movie star.

“Sometimes they would have a vaudeville show following the movie. This was a stage show with musicians, magicians and comedians performing on the stage. A lot of performers got their start doing vaudeville. I think Gene Autry was here one time. There was a huge shade with advertisements on it that they pulled down before the performance. I remember particularly the fish advertising Giardina’s Restaurant and an old Ford automobile advertising Myrick’s Ford Company. They had dressing rooms under the stage. They also used the Paramount for beauty revues, dance recitals and other things.

Greenwood's first talkie

“The first talking movie came in 1927 or 1928 with Al Jolson in black face in The Jazz Singer. Mama got us out of school early to go see it. One time some movie outfit came to town and advertised for all children to come down to the Paramount to be in a hometown movie which was being made here. So we were appropriately dressed in our Sunday best and marched down to the Paramount to take part. We lined up by the Elks Club on the corner and were told to march down to Barrett’s Drugstore on the next corner when the cameras rolled. When it was announced later that the movie would be shown at the Paramount, all the children and their mothers went down to see the future stars. The fast, jerky movement of the film showed us racing past the camera, and you could not recognize anyone. We were sorely disappointed, and I am sure a few ambitious mamas were even more disappointed that their precious little ones were not destined for Hollywood, where young movie stars like Jackie Coogan were becoming famous.”

Jackie Coogan when he was still cute

Wouldn’t you love to find those old movie reels? Or the piano that sat down at the front of the Paramount? Perhaps the technology exists now to slow that jerky film down and we could spot Tiny, Mamie and Sara scooting by, on their way, not to Barrett’s, but to Hollywood, three little starlets just waiting for their big break.

I watched a lot of Dean Jones and Hayley Mills movies in that old theatre, usually with Sara in the next seat, munching buttered popcorn and laughing at the ugly dachsunds, talking Volkswagens and nutty professors. She had her limits, though: No Elvis movies and nothing where dogs died. Musicals were a special treat, often seen again and again if we liked the songs. She would whisper stories about the dressing rooms underneath the stage, and I was convinced that every star in Hollywood had begun their career on the planks of Greenwood’s Paramount. It was a sad night when Sara called and told me that the old theatre had collapsed in flames, taking all those memories and buckets of popcorn grease with it.

Ed.note: The Paramount was built as the Greenwood Opera House (replacing the original on Front Street, now Viking headquarters) in 1912, for $7000. Original owners were P.D. Montjoy and P.E.Schilling, who advertised it as “an up-to-date moving picture house and modern combination theatre.”

Adelaide Thurston. Was she in Greenwood in 1913?

It opened with “The Love Affair,” starring Adelaide Thurston (movie? play? opera? Who knows?) in January, 1913, just about the time that Jessie West landed in Greenwood. Live stars included Tom Mix and Moro, the Human Icicle.

This is Tom. No photo available of Moro, the Human Icicle.

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About sec040121

Hello....I'm in possession of a priceless collection of memoirs and memorabilia left by my mother, Sara Evans Criss. She was a native and lifelong (88 years!) devotee of our small town, who covered this peculiar and volatile corner of the world for 30 years as the Memphis Commercial Appeal's Greenwood bureau chief, a job that started out with debutantes and high school football and wound up spang in the midst of one of the twentieth century's most enduring social upheavals. This blog is dedicated to her memory and the legacy she left behind, both for her family and her community.
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